ICMC BOSTON 2025
Online Listening Room
Curiosity, Play, Innovation - A 50th Anniversary Celebration of Creativity in Music, Science, and Technology
June 8-14, 2025

ICMC BOSTON 2025: Online Listening Room #2
ID#: 623
Sonic Earth: A Real-time Journey Through Environmental Data (2025) ; 8:25
by Riccardo Mazza
High Perfection Music School – APM (Saluzzo – Italy)
This piece explores the relationship between environmental data and musical expression through algorithmic composition and real-time sonification. During the performance, the composer navigates the globe live via Google Earth, conducting a path through different regions and climates. At each location, the system acquires environmental data in real time via APIs such as OpenMeteo. This data is processed through an algorithmic framework that generates complex musical structures and evolving soundscapes—an interpretation rather than a direct translation of the data. Fundamental frequencies are derived from Earth’s rotational dynamics and geographical coordinates. Various sound objects emerge, each informed by environmental variables and regional musical scales associated with broad geographic zones. These scale mappings reflect traditional intervallic structures and serve as abstract representations of sonic heritage. This is part of an ongoing exploration, a work in progress aimed at integrating cultural memory into algorithmic form. Each location’s conditions shape distinct sonic identities. Atmospheric space is rendered through bandpass-filtered brown noise modulated by wind and pressure. H2O, representing water and life, is shaped by humidity and temperature via additive synthesis. Precipitation triggers new textures: rain through frequency-based particle synthesis, snow through vowel-like formant structures.
When performed with voice or acoustic ensemble, the system generates a real-time score that guides the performers. The human voice—here embodied by a live interpreter—responds to both the harmonic framework and environmental quality. Depending on real-time conditions, vocal gestures may shift from tonal to fragmented and atonal. Across macro-regions, acousmatic elements emerge: fragments of ancestral songs and environmental textures resurface as symbolic artefacts, giving voice to the world’s cultural memory. The resulting composition is inherently unpredictable, shaped by ever-changing environmental parameters and the performer’s interpretative choices. This immersive sonic journey invites listeners to reconnect with the Earth through listening. Each place speaks, if we are ready to listen.

Riccardo Mazza
Riccardo Mazza is a composer and sound artist specializing in experimental sound research, algorithmic composition, and spatial audio. He teaches at APM (High Perfection Music School) in Saluzzo, Italy. In 2001, Mazza created the first Dolby Surround sound effects and field recordings library (Renaissances SFX), and in 2003, he presented his object-based spatialization software SoundBuilder at the AES conference (www.soundbuilder.it). He founded Interactive Sound in Turin in 2001, where he designed immersive exhibitions and museum experiences until 2016. In 2015, Mazza co-founded Project-TO (www.project-to.com) with Laura Pol, exploring contemporary approaches such as Live Coding and algorithmic composition, with performances at notable festivals. In 2018, he established the Experimental Studios, one of Europe’s advanced facilities for Dolby ATMOS technology (www.experimentalstudios.it). His current research focuses on the intersection of environmental data, algorithmic composition, and real-time sound synthesis, developing new methodologies for translating natural phenomena into musical structures.
* winner, Berklee College of Music internal music composition competition for ICMC Boston 2025
Registration is now closed.
ICMC BOSTON 2025 can be accessed IN-PERSON and REMOTE). ICMA Members at the time of registration will receive a 25% discount.
Early Bird Registration: pre-May 1, 2025 (15% discount)
Regular Registration: post-May 1, 2025
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