ICMC BOSTON 2025

Online Listening Room

Curiosity, Play, Innovation - A 50th Anniversary Celebration of Creativity in Music, Science, and Technology

June 8-14, 2025

ICMC BOSTON 2025: Online Listening Room #5

ID#: 471

Seascape Serenity (2024) ; 7:22

by Yu Chia Kuo 

McGill University

“Seascape Serenity” invites listeners into the hidden acoustic landscapes of Taiwan’s underwater ecosystems, blending the natural symphony of marine life with the unsettling presence of human activity. Drawing from hydrophone recordings collected by the Ocean Biodiversity Listening Project, the composition captures the fragile interplay between vibrant ecosystems and the disruptions caused by anthropogenic noise. Through sound, it unfolds as a poignant meditation on the beauty and vulnerability of the ocean. The work transitions through diverse soundscapes: from tranquil riverside waters and bamboo rafts to the vast open ocean, where natural sounds collide with human-induced disturbances such as shipping, diving, and wind farm construction. Granular synthesis and spatialization techniques recreate the subtle textures of coral reefs, hydrothermal vents, and deep-sea environments, immersing listeners in the dynamic rhythms of underwater life. Simulated biosonar clicks mirror the navigation and communication of marine species, drawing the audience into the intricate lives of underwater creatures. Real-time spatialization with Spat enhances the sense of proximity and movement, creating an immersive 3D sonic experience. The journey culminates in themes of renewal, with the reemergence of animal calls near Taiwan’s eastern coast symbolizing restoration and resilience. Gentle harmonic progressions, melodic motifs, and dynamic flourishes contrast earlier turmoil, offering a reflective moment on the ocean’s splendor and fragility. Blending ecological insight with contemporary music technology, Seascape Serenity transforms bioacoustic data into an evocative auditory experience. It invites audiences to reflect on the interweaving of human activity and the natural world, using music as a lens to explore themes of conservation, coexistence, and the delicate balance of life beneath the waves.

Yu Chia Kuo 

Yu-Chia Kuo is a master’s student and part-time research assistant at McGill University’s Distributed Digital Music Archives & Libraries Laboratory (DDMAL) within the Department of Music Research. She was a research assistant at the Music and Culture Technology Laboratory, Institute of Information Science, Academia Sinica, Taiwan. Yu-Chia completed her bachelor’s degree in Food Science and Biotechnology at National Chung Hsing University, where she also honed her skills as a jazz pianist and performed with the university jazz band. Her research interests encompass music information retrieval, music composition, experimental audiovisuals, and human-computer interaction. As a multimedia artist, she has mainly focused on electronic music composition and sound design, constantly seeking new interpretations through multimedia content. Her work aims to craft sonic scenographies that transform audience perceptions by integrating informatics and contemporary music technology. Recent projects include “Tree Rings,” an immersive dome performance at the Satosphère of SAT Montréal (2025); “Seascape Serenity,” a 49-channel sound installation presented at the C-LAB X IRCAM Workshop Program (2024); “The Gravity Realm,” featured at the Black Hole Exhibit at the National Museum of Nature and Science (2023); and “Immersi Topia,” a VR sound installation showcased at the 13th OpenHCI Workshop. As a researcher, she focuses on interdisciplinary music research, automated music analysis, and expressive synthesis for string performance. Her recent collaborative projects include motif discovery in symbolic polyphonic music with motif note identification, creating a symbolic music dataset for computational analysis of symphonies, and a study on expressive synthesis for violin performance generation.

Registration is now open!

ICMC BOSTON 2025 can be accessed IN-PERSON and REMOTE). ICMA Members at the time of registration will receive a 25% discount.

Early Bird Registration: pre-May 1, 2025 (15% discount)
Regular Registration: post-May 1, 2025

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