ICMC BOSTON 2025
Online Listening Room
Curiosity, Play, Innovation - A 50th Anniversary Celebration of Creativity in Music, Science, and Technology
June 8-14, 2025

ICMC BOSTON 2025: Online Listening Room #6
ID#: 705
Sound Of Nangqên (2025) ; 10:30
by Jiayue Wu
University of Colorado, Denver
Sound of Nangqên is an electroacoustic audiovisual composition that explores the interplay between sound, space, and culture, inspired by Tibet’s “Highland of Zen” in Nangqên County, Qinghai Province, China. Fully permitted, supported, and funded by the Nangqên County, the local monasteries, and the Tibetan people, this work immerses listeners in the region’s rich spiritual and cultural soundscape, integrating 20 gigabytes of field recordings—encompassing natural environments, local voices, folk songs, daily life, and traditional Tibetan instruments—with analog and digital electronic processing. Through both performance and cinematography, the piece highlights the esteemed Tibetan Buddhist community, capturing contemporary spiritual practices while showcasing the depth and beauty of its cultural arts. Real-time electronics and Tibetan soundscape collaboratively shape the musical structure, offering a dynamic interplay between organic and synthesized sound sources. The celletto serves as a Western sonic observer, complementing the novel orchestration of ancient Tibetan ritual instruments such as the dungchen, rol mo, damaru, and kangling. These elements are woven into a sonic and visual montage, creating a fusion of tradition and modernity that reflects the evolving Tibetan soundscape. This work extends beyond documentation, engaging in a recontextualization process where ritual performances and individual instrumental recordings are restructured into an orchestral composition. By combining field recordings, electronic synthesis, and instrumental reinterpretation, Sound of Nangqên presents an innovative approach to sonic storytelling, encapsulating the transformation and preservation of Tibetan cultural identity in a rapidly changing world. This project is not a cultural appreciation, but an artistic and ethnographic exploration that demonstrates how technology can mediate and amplify the experience of deeply rooted cultural traditions, offering a meaningful connection for contemporary global audiences.
Jiayue Wu
Dr. Jiayue Cecilia Wu (AKA 武小慈), a scholar, composer, audio engineer, vocalist, and multimedia artist, specializes in utilizing music technology for healing and social impact. With a B.Sc. in Design and Engineering, she spent over a decade as a music producer and consultant with EMI Records, Universal Music Group, and Shazam Entertainment. Her academic journey includes a Master of Art in Music, Science, and Technology from Stanford University and a Ph.D. in Media Arts and Technology from UC Santa Barbara. Dr. Wu’s music has been performed globally across Asia, the U.S., Canada, Australia, South Africa, Brazil, and Europe. Her intellectual contributions include 29 peer-reviewed journal articles, three book chapters, two book publications, and over 100 multimedia compositions, exhibitions, and installations. Currently, she is an Assistant Professor and Program Director at the University of Colorado’s College of Arts and Media. Dr. Wu actively contributes to her academic community as a peer reviewer for high-impact research journals, president of Association for Technology in Music Instruction (ATMI), chair of the DEI Committee and Governor at the Audio Engineering Society (AES), and board-of director at the International Computer Music Association (ICMC). Globally recognized for her expertise, she has delivered guest lectures and workshops on Embodied Sonic Meditation at prominent R1 research institutions and international events.
Registration is now open!
ICMC BOSTON 2025 can be accessed IN-PERSON and REMOTE). ICMA Members at the time of registration will receive a 25% discount.
Early Bird Registration: pre-May 1, 2025 (15% discount)
Regular Registration: post-May 1, 2025
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