ICMC BOSTON 2025
Online Listening Room
Curiosity, Play, Innovation - A 50th Anniversary Celebration of Creativity in Music, Science, and Technology
June 8-14, 2025

ICMC BOSTON 2025: Online Listening Room #2
ID#: 806
The Breathing of this Celestial Machine (2024) ; 9:00
by Luke Dzwonczyk
University of California, Berkeley
The smallest things, like grains of sand and cells, and the largest structures, like the cosmos, the “celestial machine,” are all created from the same fundamental building blocks. The title of the work, drawn from Leonardo da Vinci’s notebooks on water, points to a tension between the concepts of breathing and machine. Breathing is not just a fundamental aspect of being alive; it offers us a path to turn inward and even a connection to our spiritual life. How can we reconcile breathing, something so close to our humanity, with the seeming artificiality of machines? If this “celestial machine” is truly a machine at a grand scale, what does its breathing look like? The Breathing of this Celestial Machine combines videos generated from custom code with the recording of a laser drawing over the projection. The music blends recordings of modular synthesizer improvisations, samples, and other digitally synthesized sounds. The videos are a result of research into using Stable Diffusion, a text-to-image generative diffusion model, to create music reactive videos. The four rectangular videos are created with the same text prompts but different random seeds, meaning each video traverses the same concepts but visualizes them slightly differently. Additionally, each video is audio reactive, changing its visual characteristics in response to different sonic features.

Luke Dzwonczyk
Luke Dzwonczyk is a composer and creative technologist whose work is centered on engaging emerging technologies with music creation and performance. He is currently a Ph.D. student in Music at UC Berkeley, where he works closely with the Center for New Music and Audio Technology (CNMAT). His research focuses on the intersection of computational creativity, generative machine learning, and audio-visual art. His recent publications include work in the Journal of the Audio Engineering Society and the Digital Audio Effects conference.
* winner, Berklee College of Music internal music composition competition for ICMC Boston 2025
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ICMC BOSTON 2025 can be accessed IN-PERSON and REMOTE). ICMA Members at the time of registration will receive a 25% discount.
Early Bird Registration: pre-May 1, 2025 (15% discount)
Regular Registration: post-May 1, 2025
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