ICMC BOSTON 2025
Online Listening Room
Curiosity, Play, Innovation - A 50th Anniversary Celebration of Creativity in Music, Science, and Technology
June 8-14, 2025

ICMC BOSTON 2025: Online Listening Room #1
ID#: 95
Electric Bride (2020) ; 6:00
by Andreas Suberg
Independent Artist
The electro-acoustic composition “Electric Bride” refers to the work The Bride Stripped Bare by Her Bachelors, Even by Marcel Duchamp. In his Green Box, MD gives the pictorial metaphor of the bride additional designations such as: Female hanged or Wasp and assigns a multitude of mechanistic and electrical or osmotic principles to the bride, emphasizing her libidinous influence on the bachelors in the lower half of the picture and thus placing the bride in a kinetic and cybernetic context of meaning. All these paraphysical descriptions flow into the composition as musical compositional structures and tonal associations.

Andreas Suberg
Andreas H.H. Suberg was born in Essen (Germany). Since 1964 he received early piano and organ lessons and from 1972 his first artistic training with the Beuys friend and art collector Franz Joseph van der Grinten. This was followed by studies in art, visual communication and music at the Universities of Gießen u. Frankfurt; Piano and composition studies with Gerhard Schedl Hoch’s Conservatory, Frankfurt, further studies in composition with Toni Völker u. piano studies with Grigory Gruzman at the Academy of Music, Darmstadt. Since its founding in 1990, he has been responsible for the artistic direction of the multimedia Glasotronik project. Finally, Suberg studied electronic composition with Prof. Hans Ulrich Humpert in the Studio for Electronic Music of the Staatliche Musikhochschule, Cologne. Lectureships at various universities, numerous scholarships, prizes, awards, commissions, publications, radio and TV recordings / productions as well as concerts and exhibitions at international music festivals and art fairs in Europe, North and South America document his work. His compositional work is determined by the discourse on sound material and material sound. Since 1990 he creates in oscillating reaction to his compositional oeuvre Videos, sound objects, sound / room / video installations and graphics as an option for multisensory reception.
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ICMC BOSTON 2025 can be accessed IN-PERSON and REMOTE). ICMA Members at the time of registration will receive a 25% discount.
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